Circus Trees Marlborough, Massachusetts
We make music that doesn’t fit with our age, our gender, our living conditions; we are young, we are sisters, we spend our
lives in the wastelands of suburbia.
Our songs are of pain, sadness, loss; our music drones, grinds, floats. We make this for us, and only us, but revel in the joy of sharing this with those who get it, feel it, are touched by it.
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supported by 9 fans who also own “The Theft”
A darker and more expansive album for an already dark and expansive band. You & I is the aural equivalent of moving through the depths of an empty forest at midnight
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supported by 9 fans who also own “The Theft”
I first heard Pillars when I attended Post. Fest 2018 to hear Heron play (I have 2 talented nephews who are members of that band). I thought the guys in Pillars sounded tight and awesome. This album, CAVUM, just proves even more so that I was correct! My favorites on the album are Dissolution and Black Prayer, but plenty of excellent sounds here!
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supported by 8 fans who also own “The Theft”
Such a great album. I have listened to it at least 5 or 6 times since purchase.
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A rubbery bassline and a bounding rhythm track propels this earworm dance track from B.C. act Delujn.
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An easy-to-love combination of emo and jangle pop, the first full album from Spirit Night in eight years feels bathed in a golden glow.
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Utterly gripping doomgaze lit up by the haunting vocals of Michelle Malley make Iress a band to watch.
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supported by 8 fans who also own “The Theft”
Blood 🩸 Pact is such beautiful and sad song, HF are a genre all their own, a must see live!
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